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Thao Nguyen Phan review – tribute to the Mekong River's myth and might

Thao Nguyen Phan’s Becoming Alluvium opens with sound: an outboard motor puttering in the dark. The tea-brown, silt-clouded water of the Mekong appears, gliding beneath the prow of a little boat. Lines from the great poet Rabindranath Tagore’s The Gardener lap the screen, concluding: “Why did the ...

Hettie Judah

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